theater choreo — SARAH PARKER

Movement Consultant / Intimacy Coordinator

COMING SOON to the Robert W. Wilson MCC Theater Space

Previews start January 15th, 2026

Opening January 27th, 2026

Runs through February 28th, 2026

Directed by Rory McGregor

Written by Joe White

Starring Abbey Lee and Owen Teague, Blackout Songs is an achingly intimate portrait of two people in love, addicted, and bound to each other. After a chance encounter at an AA meeting, a decade-long affair blazes through ecstasy, relapse, and recovery – chasing the impossible hope that the same person who breaks you might also be the one that saves you.

“The movement in “Fiddler” is already so well-integrated into the storytelling... When the bar erupts with Sarah Parker’s choreography during the engagement celebration “To Life,” it didn’t even occur to me that they might not be doing that if the scene were in real life.”

— The Washington Post

Choreographer

CURRENTLY RUNNING at Signature Theatre in Arlington, VA

November 11, 2025 - January 25, 2026

Directed by Joe Calarco

“Sarah Parker’s sharp choreography skillfully adapts to the in-the-round staging while honoring traditional Jewish and Russian dances, elevating Jerome Robbins’ iconic choreography for this talented cast.”

— MD Theatre Guide

“This is a show that moves. Sarah Parker’s choreography is energetic, athletic, and ideally suited to the moment, whether the free-wheeling dancing at the wedding, the surreal dream sequence, or a pair dance for Perchik and Hodel. Parker and Calarco design the movement in the show so that every step, every hand gesture of the musical numbers is tightly coordinated... Presenting the show in the round both necessitates and facilitates the production’s energy and movement.”

— DC Theater Arts

Choreographer

Fiorello H. LaGuardia High School of Music & Art and Performing Arts

All-School Musical

December 5, 2024 - December 15, 2024

Directed by Michael Herwitz

“Choreographer Lorin Latarro (on absolute fire here) assigns a catalog of intentionally awry movements, recognizable steps that remind the brain of Jerome Robbins’, but with a gnarly, feral accent in some numbers or a rigid cyborg-esque tinge in others.”

— Broadway News